Las óleos de todo REMBRANDT Harmenszoon van Rijn


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ID Image  Painting (From A to Z)       Details 
80618  
REMBRANDT Harmenszoon van Rijn, The Incredulity of St Thomas
 
 The Incredulity of St Thomas   Date 1634(1634) Medium Oil on wood Dimensions Height: 53 cm (20.9 in). Width: 51 cm (20.1 in). cjr
8763  
REMBRANDT Harmenszoon van Rijn, The Incredulity of St Thomas sg
 
 The Incredulity of St Thomas sg   1634 Oil on wood, 53 x 51 cm Pushkin Museum, Moscow
34543  
REMBRANDT Harmenszoon van Rijn, The Jewish Bride
 
 The Jewish Bride   mk93 c.1662 Oil on canvas 47 7/8x65 1/2in Rijksmusem,Amsterdam
8808  
REMBRANDT Harmenszoon van Rijn, The Jewish Bride (detail) dy
 
 The Jewish Bride (detail) dy   c. 1665 Oil on canvas Rijksmuseum, Amsterdam (on loan)
8807  
REMBRANDT Harmenszoon van Rijn, The Jewish Bride t
 
 The Jewish Bride t   c. 1665 Oil on canvas, 121,5 x 166,5 cm Rijksmuseum, Amsterdam (on loan)
34527  
REMBRANDT Harmenszoon van Rijn, The Lamentation over the Dead Christ
 
 The Lamentation over the Dead Christ   mk93 c.1635 Oil on paper and canvas 12 1/2x10 1/2in National Gallery,London
92492  
REMBRANDT Harmenszoon van Rijn, The lapidation of Saint Stephen
 
 The lapidation of Saint Stephen   1625(1625) Medium oil on oak panel Dimensions 89.5 X 123.6 cm (35.2 X 48.7 in) cjr
39692  
REMBRANDT Harmenszoon van Rijn, The Large Self-Portrait
 
 The Large Self-Portrait   mk150 1652 Signed and dated Canvas 112x81.5cm
93233  
REMBRANDT Harmenszoon van Rijn, The laughing man
 
 The laughing man   c. 1629-1630 Medium oil on copper Dimensions 15.3 x 12.2 cm (6 x 4.8 in) cjr
50240  
REMBRANDT Harmenszoon van Rijn, The Man-of-War Brielle on the Maas near Rotterdam
 
 The Man-of-War Brielle on the Maas near Rotterdam   mk210 1689 Canvas 130x197cm
34571  
REMBRANDT Harmenszoon van Rijn, The Martyrdom of St.Stephen
 
 The Martyrdom of St.Stephen   mk93 1625 Oil on panel 89.5x123.6cm Lyons,Musee des Beaux-Arts de Lyon
8797  
REMBRANDT Harmenszoon van Rijn, The Mennonite Minister Cornelis Claesz. Anslo in Conversation with his Wife, Aaltje D
 
 The Mennonite Minister Cornelis Claesz. Anslo in Conversation with his Wife, Aaltje D   1641 Oil on canvas, 176 x 210 cm Staatliche Museen, Berlin
87345  
REMBRANDT Harmenszoon van Rijn, The Mennonite Preacher Anslo and his Wife
 
 The Mennonite Preacher Anslo and his Wife   Date 1641(1641) Medium Oil on canvas Dimensions Height: 173.7 cm (68.4 in). Width: 207.6 cm (81.7 in). cjr
50244  
REMBRANDT Harmenszoon van Rijn, The merry homecoming
 
 The merry homecoming   mk210 1670-1679 canvas 68.5x99cm
34477  
REMBRANDT Harmenszoon van Rijn, The Militia Company of Frans Banning Cocq,Known as The Night Watch
 
 The Militia Company of Frans Banning Cocq,Known as The Night Watch   mk93 1642 Oil on canvas 143x172 3/8in
81566  
REMBRANDT Harmenszoon van Rijn, The Mill
 
 The Mill   The Mill (1645/48, oil on canvas); National Gallery of Art, Washington DC cjr
92810  
REMBRANDT Harmenszoon van Rijn, The Mill
 
 The Mill   1645-1648 Medium oil on canvas Dimensions Height: 87.6 cm (34.5 in). Width: 105.6 cm (41.6 in). cjr
60456  
REMBRANDT Harmenszoon van Rijn, The Mill,
 
 The Mill,   The Mill, 1648
8860  
REMBRANDT Harmenszoon van Rijn, The Moneychanger (detail) dry
 
 The Moneychanger (detail) dry   1627 Oil on wood, 32 x 42 cm (full picture) Staatliche Museen, Berlin
80623  
REMBRANDT Harmenszoon van Rijn, The Music Party
 
 The Music Party   Date 1626(1626) Medium Oil on wood Dimensions Height: 64 cm (25.2 in). Width: 48 cm (18.9 in). cjr
8861  
REMBRANDT Harmenszoon van Rijn, The Music Party  dhd
 
 The Music Party dhd   1626 Oil on wood Rijksmuseum, Amsterdam
50242  
REMBRANDT Harmenszoon van Rijn, The Nieuwe Vismarkt,Amsterdam
 
 The Nieuwe Vismarkt,Amsterdam   mk210 about 1677 canvas 52x62cm
33705  
REMBRANDT Harmenszoon van Rijn, The Night Watch
 
 The Night Watch   mk86 1642 Oil on canvas 363x437cm Amsterdam,Rjksmuseum
42708  
REMBRANDT Harmenszoon van Rijn, The night watch
 
 The night watch   MK169 1642 Cloth 370x445cm
21738  
REMBRANDT Harmenszoon van Rijn, The Night Watch (mk08)
 
 The Night Watch (mk08)   1642 Oil on canvas,363x437cm Amsterdam,Rijksmuseum
21741  
REMBRANDT Harmenszoon van Rijn, The Night Watch (mk08)
 
 The Night Watch (mk08)   1642 Oil on canvas,363x437cm Amsterdam,Rijksmuseum
60432  
REMBRANDT Harmenszoon van Rijn, The Night Watch or The Militia Company of Captain Frans Banning Cocq
 
 The Night Watch or The Militia Company of Captain Frans Banning Cocq   The Night Watch or The Militia Company of Captain Frans Banning Cocq, 1642. Oil on canvas; on display at the Rijksmuseum, Amsterdam
24532  
REMBRANDT Harmenszoon van Rijn, The Nightmatch (mk33)
 
 The Nightmatch (mk33)   1642 Amsterdam,Rijksmuseum
8800  
REMBRANDT Harmenszoon van Rijn, The Nightwatch
 
 The Nightwatch   1642 Oil on canvas, 363 x 437 cm Rijksmuseum, Amsterdam
8801  
REMBRANDT Harmenszoon van Rijn, The Nightwatch (detail)
 
 The Nightwatch (detail)   1642 Oil on canvas Rijksmuseum, Amsterdam
8802  
REMBRANDT Harmenszoon van Rijn, The Nightwatch (detail)  HG
 
 The Nightwatch (detail) HG   1642 Oil on canvas Rijksmuseum, Amsterdam
24548  
REMBRANDT Harmenszoon van Rijn, The Nightwmatch (mk33)
 
 The Nightwmatch (mk33)   1642 Amsterdam,Rijksmuseum
24551  
REMBRANDT Harmenszoon van Rijn, The oath of the Batavians under Claudius civilis (mk33)
 
 The oath of the Batavians under Claudius civilis (mk33)   1661 Stockholm,Nationalmuseum
50249  
REMBRANDT Harmenszoon van Rijn, The Omval
 
 The Omval   mk210 1645 18.6x22.6cm
50237  
REMBRANDT Harmenszoon van Rijn, The Overturned Bouquet
 
 The Overturned Bouquet   mk210 About 1660-1679
29163  
REMBRANDT Harmenszoon van Rijn, The Parable of the Laborers in the Vineard
 
 The Parable of the Laborers in the Vineard   mk65 1637 Oil on panel 12x16 1/2"
34507  
REMBRANDT Harmenszoon van Rijn, The Parable of the Labourers in the Vineyard
 
 The Parable of the Labourers in the Vineyard   mk93 1637 Oil on panel 12 1/5x16 1/2in Hermitage,St Petersburg
34583  
REMBRANDT Harmenszoon van Rijn, The Parable of The Labourers in the vineyard
 
 The Parable of The Labourers in the vineyard   mk93 Oil on wood reinforced 31x41cm
60444  
REMBRANDT Harmenszoon van Rijn, The Philosopher in Meditation,
 
 The Philosopher in Meditation,   The Philosopher in Meditation, 1632
34457  
REMBRANDT Harmenszoon van Rijn, The Polish Nobleman or Man in Exotic Dress
 
 The Polish Nobleman or Man in Exotic Dress   mk93 1637 Oil on panel 381/8x26in National Gallery of Art.Washington,D.C.
8862  
REMBRANDT Harmenszoon van Rijn, The Polish Rider
 
 The Polish Rider   1655 Oil on canvas, 114,9 x 135 cm Frick Collection, New York
34506  
REMBRANDT Harmenszoon van Rijn, The Polish Rider
 
 The Polish Rider   mk93 c.1657 Oil on canvas 46x53 1/8in
38198  
REMBRANDT Harmenszoon van Rijn, The Polish Rider
 
 The Polish Rider   mk29 c.1655 Oil on canvas 116.8x134.9cm
60433  
REMBRANDT Harmenszoon van Rijn, The Polish Rider  A Lisowczyk on horseback.
 
 The Polish Rider A Lisowczyk on horseback.   The Polish Rider - A Lisowczyk on horseback. The subject of much discussion. It is possible that the person depicted was Grand Chancellor of Lithuania, Marcjan Aleksander Ogi??ski (1632-1690)
24570  
REMBRANDT Harmenszoon van Rijn, The Polish rider (mk33)
 
 The Polish rider (mk33)   New York
34561  
REMBRANDT Harmenszoon van Rijn, The Presentation of Jesus in the Temple
 
 The Presentation of Jesus in the Temple   mk93 1631 Oil on panel 60.9x47.8cm The Hague,Mauritshuis
34572  
REMBRANDT Harmenszoon van Rijn, The Presentation of Jesus in the Temple
 
 The Presentation of Jesus in the Temple   mk93 c.1627/28 Oil on panel 55.4x43.7cm Hamburg,Hamburger Kunsthalle
34577  
REMBRANDT Harmenszoon van Rijn, The Prophet Jeremiab Mourning over the Destruction of Jerusalem
 
 The Prophet Jeremiab Mourning over the Destruction of Jerusalem   mk93 1630 Oil on panel 58.3x46.6cm Amsterdam,Rijksmuseum
24667  
REMBRANDT Harmenszoon van Rijn, The Prophetess Hannab (mk33)
 
 The Prophetess Hannab (mk33)   1631 Panel. Amsterdam,Rijksmuseum
8777  
REMBRANDT Harmenszoon van Rijn, The Raising of Lazarus
 
 The Raising of Lazarus   c. 1630 Oil on panel, 96.2 x 81.5 cm Los Angeles County Museum of Art, Los Angeles
34417  
REMBRANDT Harmenszoon van Rijn, The Raising of Lazarus
 
 The Raising of Lazarus   mk93 c.1630-31 Oil on panel 38x32in County Museum of Art Los Angeles
34418  
REMBRANDT Harmenszoon van Rijn, The Raising of Lazarus
 
 The Raising of Lazarus   mk93 1631 Oil on canvas 40 1/2x44in Brighton Museum and Art Gallery England
34580  
REMBRANDT Harmenszoon van Rijn, The Raising of Lazarus
 
 The Raising of Lazarus   mk93 c.1630/31 Oil on panel 96.2x81.5cm Los Angeles,County Museum of Art
50261  
REMBRANDT Harmenszoon van Rijn, The Raising of Lazarus The Large Plate
 
 The Raising of Lazarus The Large Plate   mk210 c.1632 36.6x25.8cm
34421  
REMBRANDT Harmenszoon van Rijn, The Raising of the Cross
 
 The Raising of the Cross   mk93 c.1633 Oil on canvas 37 7/8x28 5/8in Alte Pinakothek Munich
34562  
REMBRANDT Harmenszoon van Rijn, The Raising of the Cross
 
 The Raising of the Cross   mk93 c.1633 Oil on canvas 95.7x72.2cm Munich,Bayerische Staatsgemalde sammlungen
24587  
REMBRANDT Harmenszoon van Rijn, The Raising of the Cross (mk33)
 
 The Raising of the Cross (mk33)   C.1633 Canvas,arched 95.7x72.2cm Munich,Bayerische Statsgemaldesammlungen,Alte Pinakothek
34434  
REMBRANDT Harmenszoon van Rijn, The Rape of Europa
 
 The Rape of Europa   mk93 1632 Oil on panel 24 1/2x30 1/3in J.Paul Getty Museum,Malibu
24604  
REMBRANDT Harmenszoon van Rijn, The rape of Ganymede (mk33)
 
 The rape of Ganymede (mk33)   1635 Canvas 177x129cm Signed and dated
50285  
REMBRANDT Harmenszoon van Rijn, The Rat-Catcher
 
 The Rat-Catcher   mk210 1632 14x12.5cm
24627  
REMBRANDT Harmenszoon van Rijn, The Rest on the Flight into Egypt (mk33)
 
 The Rest on the Flight into Egypt (mk33)   1647 Oak panel 34x48cm
34425  
REMBRANDT Harmenszoon van Rijn, The Resurrection of Christ
 
 The Resurrection of Christ   mk93 c.1639 Oil on canvas on panel 36 3/8x27 1/8in Alte Pinakothek, Munich
34554  
REMBRANDT Harmenszoon van Rijn, The Resurrection of Christ
 
 The Resurrection of Christ   mk93 c.1635-39 Oil on canvas on panel 91.9x67cm Munich,Bayerische Staatsgemalde sammlungen
34545  
REMBRANDT Harmenszoon van Rijn, The Return of the Prodigal Son
 
 The Return of the Prodigal Son   mk93 c.1666/69 Oil on canvas 262x206cm St.Petersburg.Hermitage
8790  
REMBRANDT Harmenszoon van Rijn, The Return of the Prodigal Son
 
 The Return of the Prodigal Son   c. 1669 Oil on canvas, 262 x 206 cm The Hermitage, St. Petersburg
34524  
REMBRANDT Harmenszoon van Rijn, The Return of the Prodigal Son
 
 The Return of the Prodigal Son   mk93 c.1666-68 Oil on canvas 103 1/8x81 1/8in Hermitage,St Petersburg
34592  
REMBRANDT Harmenszoon van Rijn, The Return of the Prodigal son
 
 The Return of the Prodigal son   mk93 Hermitage Museum,St.Petersburg
40517  
REMBRANDT Harmenszoon van Rijn, The Return of the Prodigal son
 
 The Return of the Prodigal son   mk156 1668 Oil on canvas 262x205cm The State Hermitage Museum
41046  
REMBRANDT Harmenszoon van Rijn, The Return of the Prodigal Son
 
 The Return of the Prodigal Son   mk159 Oil on canvas 262x205cm
60463  
REMBRANDT Harmenszoon van Rijn, The Return of the Prodigal Son
 
 The Return of the Prodigal Son   The Return of the Prodigal Son, c. 1669
8791  
REMBRANDT Harmenszoon van Rijn, The Return of the Prodigal Son (detail)
 
 The Return of the Prodigal Son (detail)   c. 1669 Oil on canvas The Hermitage, St. Petersburg
8792  
REMBRANDT Harmenszoon van Rijn, The Return of the Prodigal Son (detail)
 
 The Return of the Prodigal Son (detail)   c. 1669 Oil on canvas The Hermitage, St. Petersburg
8794  
REMBRANDT Harmenszoon van Rijn, The Return of the Prodigal Son (detail)
 
 The Return of the Prodigal Son (detail)   c. 1669 Oil on canvas The Hermitage, St. Petersburg
8795  
REMBRANDT Harmenszoon van Rijn, The Return of the Prodigal Son (detail)
 
 The Return of the Prodigal Son (detail)   c. 1662 Oil on canvas The Hermitage, St. Petersburg
8793  
REMBRANDT Harmenszoon van Rijn, The Return of the Prodigal Son (detail) ERY
 
 The Return of the Prodigal Son (detail) ERY   c. 1669 Oil on canvas The Hermitage, St. Petersburg
8762  
REMBRANDT Harmenszoon van Rijn, The Risen Christ Appearing to Mary Magdalen st
 
 The Risen Christ Appearing to Mary Magdalen st   1638 Oil on wood, 61 x 49,5 cm Royal Collection, Buckingham Palace, London
60455  
REMBRANDT Harmenszoon van Rijn, The Risen Christ Appearing to Mary Magdalen,
 
 The Risen Christ Appearing to Mary Magdalen,   The Risen Christ Appearing to Mary Magdalen, 1638
34520  
REMBRANDT Harmenszoon van Rijn, The Risen Christ Appearing to Mary Magdalene
 
 The Risen Christ Appearing to Mary Magdalene   mk93 1638 Oil on panel 24x19 1/2in
34519  
REMBRANDT Harmenszoon van Rijn, The Risen Christ at Emmaus
 
 The Risen Christ at Emmaus   mk93 1648 Oil on panel 26 3/4x25 5/8in Louvre,Paris.
8781  
REMBRANDT Harmenszoon van Rijn, The Sacrifice of Abraham
 
 The Sacrifice of Abraham   1635 Oil on canvas, 193 x 133 cm The Hermitage, St. Petersburg
34459  
REMBRANDT Harmenszoon van Rijn, The Sacrifice of Isaac
 
 The Sacrifice of Isaac   mk93 1635 Oil on canvas 76 1/5x52 1/4in Hermitage,St.Petersburg
24540  
REMBRANDT Harmenszoon van Rijn, The Sampling Officials of the Amsterdam Drapers' Guild (mk33)
 
 The Sampling Officials of the Amsterdam Drapers' Guild (mk33)   1662 Canvas, 191.5x279cm Signed,on the table carpet, in the centre 1662 and,probably by a later hand,top right,on ther wall,
24009  
REMBRANDT Harmenszoon van Rijn, The Shipbuilder and his Wife (mk25)
 
 The Shipbuilder and his Wife (mk25)   1633
34443  
REMBRANDT Harmenszoon van Rijn, The Shipbuilder Jan Rijksen and His Wife Griet Jans
 
 The Shipbuilder Jan Rijksen and His Wife Griet Jans   mk93 1633 Oil on canvas 45x66 1/2in
21745  
REMBRANDT Harmenszoon van Rijn, The Slaughterd Ox (mk08)
 
 The Slaughterd Ox (mk08)   1655 Oil on Panel, 94x67cm Paris,Musee National du Louvre
33708  
REMBRANDT Harmenszoon van Rijn, The Slaughtered Ox
 
 The Slaughtered Ox   mk86 1665 Oil on panel 94x67cm Paris,Musee National du Louvre
34557  
REMBRANDT Harmenszoon van Rijn, The So called Polish Rider
 
 The So called Polish Rider   mk93 c.1655 Oil on canvas 116.8x134.9cm New York
24608  
REMBRANDT Harmenszoon van Rijn, The Standard-earer (mk33)
 
 The Standard-earer (mk33)   1636 Canvas 118.8x96.8cm Signed and dated
34480  
REMBRANDT Harmenszoon van Rijn, The Staughtered Ox
 
 The Staughtered Ox   mk93 Oil on panel 28 7/8x20 3/8in Glasgow Art Gallery and Museum
90980  
REMBRANDT Harmenszoon van Rijn, The Stoning of saint Stephen
 
 The Stoning of saint Stephen   oil on canvas, 89 x 123 cm, Fine Arts Museum, Lyon. Date 1625(1625) cyf
34412  
REMBRANDT Harmenszoon van Rijn, The Supper at Emmaus
 
 The Supper at Emmaus   mk93 c.1628 Paper on panel 14 3/4x16 5/8in Musee Jacquemart-Andre Paris
20510  
REMBRANDT Harmenszoon van Rijn, The Supper at Emmaus (mk05)
 
 The Supper at Emmaus (mk05)   1648 Wood 27 x 25 1/2 ''(68 x 65 cm)Acquired in 1777
34542  
REMBRANDT Harmenszoon van Rijn, The Syndics
 
 The Syndics   mk93 1661-62 Oil on canvas 75 3/8x109 7/8in Rijksmuseum,Amsterdam
21748  
REMBRANDT Harmenszoon van Rijn, The Syndics of the Amsterdam Clothmakers'Guild (mk08)
 
 The Syndics of the Amsterdam Clothmakers'Guild (mk08)   1662 Oil on canvas, 191.5x279cm Amsterdam,Rijksmuseum
60461  
REMBRANDT Harmenszoon van Rijn, The Syndics of the Clothmakers Guild,
 
 The Syndics of the Clothmakers Guild,   The Syndics of the Clothmakers' Guild, 1662
50243  
REMBRANDT Harmenszoon van Rijn, The tailor-s Workship
 
 The tailor-s Workship   mk210 1661 canvas 66x53cm
42711  
REMBRANDT Harmenszoon van Rijn, The three crosses
 
 The three crosses   MK169 ca. 1660 State iv. Dry needle and etching on paper 38.4x45cm
42712  
REMBRANDT Harmenszoon van Rijn, The three crosses
 
 The three crosses   MK169 detail of State III MK169 1653 British Museum Rewarded
63956  
REMBRANDT Harmenszoon van Rijn, The Three Crosses
 
 The Three Crosses   1653 Drypoint and burin printed on vellum, 381 x 438 mm Metropolitan Museum of Art, New York Rembrandt's romance with drypoint in the 1650s and 1660s is one of the important milestones in the history of printmaking. His inventiveness in this medium led to the creation of compositions that offered more complex visual information and variety of drama than previously had been imagined, and whereas earlier intaglio prints had been translucent and in general rather bodiless, Rembrandt's had a structure and richness of surface that approximate many of his great oil paintings. Moreover, they are illumined by an expressive power that never fails to pierce to the heart of things, whether the subject be, as it is here, a momentous scene from Scripture or the simplest study of still life. , Artist: REMBRANDT Harmenszoon van Rijn , The Three Crosses (second state) , 1601-1650 , Dutch , graphics , religious
50257  
REMBRANDT Harmenszoon van Rijn, The Triumph of Mordercai
 
 The Triumph of Mordercai   mk210 c.1641 17.5x21.5cm

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REMBRANDT Harmenszoon van Rijn
Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.



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